So if you're a RED user and want the same FC mode you're used to looking at use V3. I downloaded them and tested them in Davinci against the raw V-log footage and on the Atomos, and V3 seems to give the most accurate FC data in-line with the scale most of us are used to working with on RED cams, and Atomos monitors. Currently there is space for 4 custom LUT's on the GH5. The camera will remember the last installed LUT's. So you can have a spare small SD card with as many LUTs as you want- then install them as you see fit. One really cool thing about custom LUTs on the GH5 is that once you install them they are saved onto the camera. Here is an image of my Keyboard with FC in VLog-L & Zebras as 55IRE: Set 18% grey card to 42 IRE (not usable in GH5 as we can't set Zebras that low in VLog-L).Exposing properly for VLOG-L is the key to getting the best results aim to expose an 18% gray card at about 42 IRE, keep your Caucasian skin highlights to below 55 IRE, and set your Zebra 2 to 75 IRE to keep from clipping highlights. If your project can afford the time to conduct the proper post-processing required, VLOG-L gives you the broadest canvas on which to paint your images. VLOG-L gives the widest dynamic range and the most post-production exibility from a DVX200. Also the DVX200 has the similar limited dynamic range of the GH5 (not being a Varimac LT etc). That document mentions the DVX200 but as that also uses VLog-L I see no reason to not use it. To get your head around exposing for VLog_L this document was a life saver for me:
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